yoga9vipassana:

Flow
yoga9vipassana.tumblr.com/
aslongasi:

Nocturne: Silver and Opal, James Abbott McNeill Whistler, 1880-89.
kr4eae:

This is the most perfect thing ever.

If someone wants you in their life, they’ll make room for you. You shouldn’t have to fight for a spot. Never, ever insist yourself to someone who continuously overlooks your worth.

— Unknown

Suppose a man makes unwanted social advances to a woman in, let’s say, a restaurant or theatre, and she eventually has to tell him loudly or angrily to get lost. She is the one who will be perceived as rude, hostile, aggressive, and obnoxious. His verbal aggression and invasiveness are accepted and expected; her rudeness (or mere curtness) in getting rid of him is noticed and condemned. One of our great myths is that a “real lady” can and should handle any difficulty, defuse any assault, without ever raising her voice or losing her manners. Female rudeness or violence in resistance to male aggression has often been taken to prove that the woman was not a lady in the first place, and therefore deserved no respect from the aggressor or sympathy from others.

— D.A. Clarke, “A Woman With a Sword” 
aslongasi:

Nocturne in Blue and Silver: The Lagoon, Venice, James Abbott McNeill Whistler, 1879-80.
dreamof-horses:

James Abbott McNeill Whistler. Harmony in Blue and Silver: Trouville, 1865. Isabella Stewart Gardner Museum.
aslongasi:

Blue and Silver: The Blue Wave, Biarritz, James Abbott Mcneill Whistler, 1892.
aslongasi:

Crepuscule in Opal, Trouville, James Abbott McNeill Whistler, 1865.

Henry Darger